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The Best American Short Stories 2013
| Brand: | Houghton Mifflin Harcourt |
| Rating: | 3.8 |
| Description: | “As our vision becomes more global, our storytelling is stretching in many ways. Stories increasingly change point of view, switch location, and sometimes pack as much material as a short novel might,” writes guest editor Elizabeth Strout. “It’s the variety of voices that most indicates the increasing confluence of cultures involved in making us who we are.” The Best American Short Stories 2013 presents an impressive diversity of writers who dexterously lead us into their corners of the world. In “Miss Lora,” Junot Díaz masterfully puts us in the mind of a teenage boy who throws aside his better sense and pursues an intimate affair with a high school teacher. Sheila Kohler tackles innocence and abuse as a child wanders away from her mother, in thrall to a stranger she believes is the “Magic Man.” Kirstin Valdez Quade’s “Nemecia” depicts the after-effects of a secret, violent family trauma. Joan Wickersham’s “The Tunnel” is a tragic love story about a mother’s declining health and her daughter’s helplessness as she struggles to balance her responsibility to her mother and her own desires. New author Callan Wink’s “Breatharians” unsettles the reader as a farm boy shoulders a grim chore in the wake of his parents’ estrangement. “Elizabeth Strout was a wonderful reader, an author who knows well that the sound of one’s writing is just as important as and indivisible from the content,” writes series editor Heidi Pitlor. “Here are twenty compellingly told, powerfully felt stories about urgent matters with profound consequences.” |
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Critical Reviews : The Best American Short Stories 2013 ® Houghton Mifflin Harcourt
The problem with “best of” collections…
…is that they depend heavily on who is defining "best." This year’s "The Best American Short Stories" was edited by Elizabeth Strout, and I think that’s the main reason for my lukewarm reaction to it. I’ve only read one of Ms. Strout’s novels, but I found it a little overwritten and self-consciously stylistic, and that’s how a lot of these stories struck me. There’s not much here that I would actually say is bad, but there’s also not a lot that I would actually say is great, either. Many of the stories rely on some writing device or other (such as a section of the story being told in the form of a play, to show that the characters are "acting") that may be fresh or even a bit clever, at the expense of there being much substance to the story.
Having said that, these collections function for me in general as a pretty good finger on the pulse of "literary" short fiction. The quality of the selections varies year by year, partly, I’m sure,…
The Best American Short Stories 2013
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